2/9/2024 0 Comments Flume best albumYou can chew on the mixtape’s cerebral elements or just sweat it out, though either way Wilson’s dense production rewards repeat listens. Inspired loosely by “Nature 2.0” – an utopian ideal where nature evolves with the help of technology – Second Nature is a flex of glitchy, industrial pop that builds its own unpredictable world while remaining danceable and fun. With her debut mixtape, Ninajirachi – AKA producer and DJ Nina Wilson - cements a singular sound, steadily formed since releasing her first track as a teenager in 2017. ‘A flex of glitchy, industrial pop’: Ninajirachi’s debut album was inspired by ‘Nature 2.0’. Read more: Hatchie: Giving the World Away review – newfound confidence “I used to think that this was something I could die for / I hate admitting to myself that I was never sure,” she confesses on Quicksand, the album’s lead single and best track, looking outwards towards an expansive, if chaotic, future. On her second album as Hatchie, she moves beyond the motion blur of shoegaze, honing her primal anxieties until they come into sharp, confronting focus. In her earlier singles, Harriette Pilbeam’s eyes were firmly affixed to the floor, making the kind of fuzzy swooners which always concealed a serrated sliver of self-doubt beneath treacly declarations of love. – Nick Buckley Hatchie – Giving the World Away Written and recorded over a blistering six days, and fusing steely and defiant trap, neon-hued R&B and car boot-rattling Cali’ funk, it includes arguably the year’s finest vocal performance on Tread Light – a one-take, goosebump-inducing tour de force in which Keith stares down his own mortality following his cousin Knox’s death, one of many recent family losses. The Bowraville-raised Gumbaynggirr man stares down his ambition, ego and grief, and emerges newly vulnerable. Tasman Keith’s debut album follows the rapper into the gauntlet of pressure and self-loathing that awaited him offstage each night of Midnight Oil’s 2021 Makarrata Live tour.
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